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Sometimes you see a movie, and depending on your age and life perspective at the time, you may feel one way about it. Sometimes in order to challenge your original perspective, a re-watch is required.
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I remember going to the theatre when I was about 13 or 14 and seeing
She-Devil with my parents. Mom, a huge Meryl Streep fan saw everything she was in. From my 'just barely a teen' perspective
She-Devil sucked the big one. I thought the story was weak, Roseanne truly horrible and wondered what Meryl Streep could have been possibly thinking. The only consolation in the 98 minutes of film I watched was the few glimpses of actor A Martinez as Streep's houseboy Garcia. Even Martinez in a speedo however was a little sad as I knew from seeing him elsewhere he is an incredible actor, but here regulated to a sexy, but none the less cultural stereotyped.
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Although I did not watch last week's Roseanne Roast, I have thankfully avoided all of them, the constant commercials for Roseanne's roast had me seeking out a copy of
She-Devil to re-watch. I was really surprised how quickly during this version that I was sucked into the story. I don't think I had really connected, at 13, the reversal of roles between Roseanne's Ruth and Streep's Mary. Roseanne's performance was far better than I remember, and Streep's about the same. I love Meryl as well, but even re-watching, I question many of Streep's role choices in the late 80's and early 90's. It was if she was some how trying to remove the
Oscar winning drama queen coat placed on her by taking on lighter, yet also weaker, moives and roles.
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There is a lesson in
She-Devil and maybe not the one the movie intended. Mary of course pays dearly for ruining Ruth's marriage but with each of the characters they also learn that no matter whey they go, they also unfortunately follow themselves. Ed Begely's bob is simply a douchebag no matter where he lives or works.
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Now, despite a second viewing, a much more enjoyable one, the movie didn't exactly turn into a masterpiece, yet I appreciated so much more about it than I first remembered. Sadly Linda Hunt seemed to be dropped as a character mid-way through the movie, and Sylvia Miles was far too over the top in each and every frame she was in. Most notably this time, I noticed how Roseanne's Ruth, though written as the victim, did some really horrid things, especially to her kids. Yet, in the context of this film was shown as the hero.
She-Devil really had no heroes, except maybe Hunt's Hooper. Although Begley, Roseanne and Streep were all written to show huge character transformations, it was Hooper, in her a brief scenes, who actually showed a capacity for change beyond any of the others.
A Martinez
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Roseanne