'Shooting at Anvil Toronto was quite unusual, and maybe even a little unexpected from me. It was something new and required a bit of creative experimentation.'
I confess, I've never been to a sex club, except maybe in my imagination. My main references come from scenes from movies and television shows. I think my introduction may have been when I was younger watching Queer As Folk. I remember many episodes which included scenes of Brian visiting sex clubs.
Those scenes often began with sort of a shock to the senses. They always seemed to start out a bit blurry. A hazy mix of music with flashes of lights alternating with darkness. Slowly our vision improved and the surroundings more in focus. Slowly we began to notice more detail, movement and color, predominately the hues of exposed male skin.
If you live in Toronto, you may have heard of the city's new men's club and gallery.
Anvil Toronto opened early this year with the goal to provide a discrete downtown destination for men seeking excitement. Located in the heart of Church Street, the club offers not only privacy and excitement, but also values inclusivity, community and safety.
Since the clubs only been open a few months, getting the word out, especially to those outside of Toronto, is a promotional priority. Photographer
Chris Teel was recently invited to the club to shoot behind the scene images of a pre-planned video shoot (filmed by LoudCount Studios here in Toronto). As one of the site's longest creative contributors, I featured many of Chris' photoshoots. (Check out an updated list
HERE:) Usually, Chris shoots models in studio, or outside on location. For his time at Anvil however, things were a little more spontaneous, and impulse infused.

'Normally, for my shoots, I plan most of the details from the models, to wardrobe and location and lighting. In this case, because this wasn't my production, I took the opportunity to play and experiment a bit more than I usually do. Having said that I was still able to capture portrait-style shots of each of the models for their own socials and OnlyFans pages. The space was actually closed to the public, all of the guys in the shots were performers in the scene.'
Having worked on FH for so long, I'm always looking for new and unusual visuals and stories. For Chris, whose been shooting the male form for close to 20 years, new and unusual are also things he looks for in a project. Chris was curious about the space, and excited to be working in a new environment. Chris shares that the space is quite dark and is maze-like with lots of little side rooms and a 'slurp-ramp' in the middle. The ramp is an elevated space surrounded by glory holes.
The goal for Chris was to capture the atmosphere and voyeuristic feel of the space. Something raw and anonymous yet artistic at the same time. Chris shares that the low-light conditions and constant movement and 'action' from the performers really helped with his goal. Many of the images were shot through the glory holes, capturing what was happening on the other side.
When I was going through the images Chris sent on, I was reminded of the erotic haze I remembered from those scenes from Queer As Folk. Through his visuals, Chris introduces us to the club with an instant spark to the visual senses. Then, slowly as you're eyes and mind start to adjust, the sexual scope of the location slips fervently into focus.