It was back in 2012 that the work of artist Richard Rothstein first appeared on FH. Since then, I believe I've featured Richard's work more than any other artist. (you can check them all out (HERE:) Back then, Richard's site and work was credited as Manhattan Men. The name told the story of both Richard's passion for the male form, and the city he loved and lived in. Although there were a few studio shoots, most of Richard's shoots then were taken on the streets, in the parks, in the alleys and along the water fronts of New York City.
Even when he shot inside, Richard ensured the backdrop was Manhattan. On his roof, his balcony and from the windows of his condo, the city was also as important as the model in the forefront. When it came to models, Richard shot some of the hottest, and some of the most eclectic group of men who inhabited the big apple. In 2018, Richard introduced me, and FH readers, to a model who turn out to be one of his most popular, and one of his most personal, and creative relationships.
Richard's work with Sergey Sheptun appeared on FH over 30 times, (HERE:) with some of the most creative and boundary pushing themes and stories. I feel fortunate to have been a mere audience member watching the progress of their friendship and creative coupling. Sergey quickly went for model to muse, photography assistant, creative collaborator to co-worker. Working by Richard's side, both in front and behind the camera, in solo, couple and group shoots featuring unique visuals, and innovative storytelling. Now, the two artists and friends are blending their talent and work for a unique artistic visual experience.
City Men: The Photography of Sergey Sheptun and Richard Rothstein
Thursday, March 12, 6p
Sunday March 29th, 6p
SoHo Project Space / The Robert W Richards Gallery
1278 Prince Street, New York, NY 10012
A perusal of the male nude in the city we all love. Celebrating the intergenerational art and friendship of Sergey Sheptun and Richard Rothstein
In New York City's vibrant photography scene, the celebration of the male nude can become a quiet dialogue between generations and artists. Imagine a young photographer and a seasoned image-maker meeting in a light-filled Manhattan studio or wandering a rooftop with city views towards the Hudson with a camera, discussing how the male body has been framed across decades of art.
For the older artist, the nude recalls the rebellious gallery culture of earlier eras-film cameras, improvised studios and a push against censorship. For the younger one, it becomes a conversation about identity, consent, and modern body-positivity. As they photograph together, the male form becomes less about provocation and more about continuity: a shared study of light, muscle, gesture, and vulnerablity that bridges age, experience, and artistic philosophy within the endlessly creative landscape of New York City.
Check out some new shots from one of my favorite of Richard's work with Sergey, (and another model) on the NEXT PAGE HERE: And Sergey, if you're reading t his, check out the post below for a possible future collaborator!
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