Monday, May 11, 2026

Favorite Pic of the Day for May 12th

Above:
-See More Below-

~Check out today's BIRTHDAYS HERE:~

Seasonal Sightings:

Hans Gorski: Spectacled


'Put them back on, please.'


There's a long running cinema trope that has a 'nerdy' guy or girl' removes their glasses, and then be suddenly seen as beautiful.  Usually it's for the first time by their romantic interest. There is twist on the trope however, and that's hot guys looking even hotter in glasses.  It's not a new phenomenon.  It certainly however, was given a lot of attention last year during the watching of Heated Rivalry.  

We all knew Shane was hot from the get go, but fans, (and social media) went wild whenever Shane Hollander had on his spectacles.  Typically, lovers tell their partner to take something off, but in this particular case, Ilya asked Shane to put his glasses back on.  It was a hot scene, romantic, as well as reinforcing each characters role in the relationship..


Shortly after watching that scene, I right clicked and added a new yellow folder to my FH folder.  This time, the theme was hot guys in glasses.  I clicked on the folder the other night and  noticed I now had enough images for post on the blog.  I also noticed most of the images were of the bespectacled beauty Hans Gorski.  These are few of my favorite shots of Hans, but you can check out some of the other 'saved' studly spectacles on the NEXT PAGE HERE:



Félix Lefebvre in Été 85

What do you dream of when you're teenager in a seaside resort in Normandy in the 1980s?  A best friend?  Scooting off on adventures on a boat or a motorbike? No. You dream of death.


When I was looking for movies to feature on Mother's Day, I ultimately decided to post about the slasher flick Who's Watching Oliver. (HERE:)  Coming in a close second though, was the 2020 teen romance and drama Été 85. (Summer of 85)  Written and directed by François Ozon, the film takes a unique look at friendship with a gay romance set in a seaside town in Normandy.


When 16-year-old Alexis, (Félix Lefebvre) capsizes his boat off the coast of Normandy, 18-year-old David ( Benjamin Voisin( heroically saves him. Alexis has just met the friend of his dreams, who opens his eyes to a new horizon of friendship, art and sexual bliss.  One of the hottest scenes is early in the film.  After capsizing, David brings Alexis home to dry off.  His mom, (Valeria Bruni Tedeschi) insists on getting right in there to help.


Madame Gorman takes a hand-on approach to assisting her son's new friend with his bath.  Bemoaning that her son David will no longer let her help him bath, she literally rips the clothes off of a  poor shocked, and soaking wet Alexis.  It all the embarrassment and vulnerablity a great CFNM scene should have.  Although Lefebvre play 16, he was 19 or 20 at the time of filming.



 


Lights, Camera, Seduction: Yaikel by Bob Burkhardt



' I love to seduce the camera.'



When it comes to images of the nude male form, vulnerability is one of the elements I usually enjoy.  Some models, especially those without a lot of experience, may be nervous modeling nude, especially for the first time..  At times, it can almost feel as if they're trying to hide from the camera. Although timidly can  be erotic, hiding generally is not.  

On the flip side, it's also incredibly hot when an experienced model takes charge.  Not over the direction of the shoot, but over their relationship with the camera.  Instead of cowering with each click, experienced models know to take control, interacting with the camera lens.  They understand the lens represents the viewer, and the audience the images are being created for. 



Many models do this through their eyes, others, like Yaikel Ordaz connects with the camera with every inch of his hot sculpted body.  When photographer Bob Burkhart shared his work with Yaikel, I could immedeately the sensual relationship between Yaikel with Bob's lens.  As someone with a passion for photography himself,  one of the reasons Yaikel enjoys modeling is because of relationships.  The relationship he forms both with the camera, and the creative relationship with the artist behind the lens.



It was one of Yaikel's friends who first introduced him to Bob's work.  The friend sent him on a link to Bob's Instagram an suggested he take a look.   Yaikel quickly dove into Bob's portfolio and loved what he saw.  It wasn't long before  Yaikel and Bob were sharing comments on each other's work and before long, they began discussing a creative collaboration.



'Yaikel's been shooting for approximately 22 years. He has a lot of experience and it was evident in his work.  I wasn't sure how much experience he had posing nude , but he told me he would be open to posing nude with me'



Did Yaikel express any boundaries, or anything he didn't want to shoot? 
Bob: He didn’t express any boundaries. Honestly, we went to work right away. He knew how he wanted to be seen. We both wanted something sexy and provocative. 

Was he comfortable with the nudity?
Bob: He was very comfortable being nude. He knew his body and how to express himself. -Was he easy to work with, take direction well? He was very easy to work with. He required a little direction. He only asked me to be patient with him as he didn’t speak a lot of English. 



'The photo shoot with Bob was quite honestly just amazing. I had a lot of fun and the truth is I felt very comfortable working with him. I think some of my favorite photos were the wall photos.  I just really loved the shots Bob took of me, in part because of how much fun we had taking them.'



Yaikel is really a man with diverse interests and passions.  His education was focused on Economics and International Trade, but his passions lay more with the nature, the environment and the arts.  In addition to modeling, Yaikel is also a dancer, which clearly, has helped sculpt his incredible body.  Yaikel also loves unique lingerie.  Bob shares that Yaikel brought along an extensive wardrobe, which as you can see, they incorporated into the shoot.  I love the look of Yaikel's skin, and his muscled physique contrasted with the vibrant colors of the skirts.



'Given the language barrier, one of the most interesting thing that happened in the shoot was that Yaikel called a friend to join us who ended up acting as an interpreter. And it turned out. It was someone I have known for some time. It was a surprise when he turned up, though, as Yaikel didn’t tell me he was coming.  I loved everything about the shoot. He was easy, professional, creative and so well prepared.'