'A '70s-set homoerotic prison drama based on a low-circulated pulp novel, tracking the sexual, often-violent and eventually murderous experiences of 20-something narcissist Jaime.'
Set in a Santiago prison in 1970, the film introduces us to Jaime, (
Juan Carlos Maldonado) a young prisoner convicted of the violent and inexplicable murder of his best friend. It doesn't take long for Jamie to catch the eye of
The Stallion, ( Alfredo Castro) an older and powerful inmate who commands respect among the prisoners. Seeking protection, Jaime develops a relationship of affection and tenderness with the man, discovering love and the need for recognition. Later, as
The Prince, Jamie rethinks his sexual identity and the reason for his incarceration.
The brutality of prison life is contrasted by intensely emotional relationships between the prisoners. The ensemble cast gives sometimes surprisingly sensitive performances conveying the paradoxical acceptance of gay attachments in prison at a time when it was not socially acceptable.
Sebastián Muñoz’s directorial debut is a bold and erotically charged exploration of recent history which reveals an unexpected tenderness at its heart;
The Queer Lion
Given the prison setting and frequent nude scenes, El Príncipe could have easily been just another homo-exploitative flick where the main draw were the naked bodies and sexual situations. The film's focus on character and relationships however, draws you and has you caring and invested.
The film is based on the sole novel by author Mario Cruz. Cruz's homoerotic novel had its heyday in the 70s, when it talked about, but hard to find, making it in many ways, a cult novel. at the time. The book was never available in bookstores and could only be acquired in the newsstands of San Diego Street, in Santiago, Director Sebastián Muñoz found the novel by chance and, along with playwright Luis Barrales refined the script to its final form.